The X and the Y moves and the movement is based the macros of the X and Y controllers. The Sytrus is actually two different kinds of FM happening at once. If you try to make the sub-controller a sub-Reese to match the Reese bass, the Reese movement will be too fast and the sound de-tuned. Enable continuous output, make your various macros, and activate the X controller that is being controlled by the knob on the surface. The X knob is set to continuous output, which means it does not midi output and is a linkable stand-alone controller. There are seven different things going on with the XY controller in the envelope controller. Also, stopping the macro at any individual point makes it sound like a pretty nice Reese bass. We will discuss macro usage for bass in FL Studio. SeamlessR walks us through how to make a solid bass growl in FL Studio.
